Kill Shakespeare Vol. 1: A Sea of Troubles
Created and Written by Conor McCreery and Anthony Del Col
Art by Andy Belanger
Published by IDW
Kill Shakespeare is an excellent concept with a weak execution.
This first collected volume sets up several of the characters from William Shakespeare's plays as they are integrated into a single narrative that involves a quest for Shakespeare himself. Legendary features such as Hamlet, Juliet of the Capulets, and Lady Macbeth are included, but their depictions seem to show only a faint relationship to the plays they originally appeared in.
The artwork is decent and some of the dialogue makes clever use of Shakespeare's words, but it's not enough maintain interest in a simplistic plot that does little to honor the Bard's legacy.
Shakespeare fans are much better off searching for old adaptations in Classics Illustrated than spending time with this deeply flawed series.
Thursday, November 11, 2010
Thursday, July 1, 2010
I like it.
Comic Book fans are a notoriously conservative lot. We want fresh and exciting stories that feature our favorite characters, but we also have a resistance to change.
The new Wonder Woman's costume designed by Jim Lee is no exception. With the introduction of her costume change in Wonder Woman #600, the blogosphere has erupted with commentary.
We've been down this road before: the black Spider-man costume, Az-bats, Electro-Superman, etc. Sometimes costume changes gain acceptance or they are so subtle that it's hard to actually notice the alterations. Frequently the more bold changes are reversed within a short period of time and this might be no exception.
This also hasn't been the first time Princess Diana has changed her look. After losing her powers in the 70s, she sported a white jumpsuit and she wore a jacket and bike shorts while being replaced by Artemis in the 90s.
One thing this costume change has that is different from her previous ones is that it retains many of the basic elements of the original. There still is the tiara, bracelets, golden lasso, and WW symbol while retaining red and blue colors mixed with a new black element.
Still, that hasn't prevented a largely negative response to the new look. Some feel that the attempt to make her more fashionable falls flat as it reflects a male viewpoint of women's style while making significant changes to an iconic image.
For myself, I find that the changes made are long past due. For quite some time I've favored a move away from the more traditional tights and capes look that have dominated superhero comics for the past 70 years. In the 80s there was a period where more comics chose to dress their characters in street clothes or some hybrid with traditional costumes. This was most frequently found with the addition of jackets to many a characters' wardrobe. While this quickly became a cliche, I felt that they were on the right path.
As was demonstrated by shows such as Buffy the Vampire Slayer and Heroes, you can have your super heroes and make them memorable through good characterization not flashy outfits.
Don't get me wrong, I love the traditional super hero costume. Yet, as more superhero stories attempt to appeal to a more mature readership it becomes difficult to take such stories seriously when the central characters are wearing outfits designed to appeal to the imaginations of young children.
In addition, adapting all of these costumes to the page seems to place an unfair burden on many artists. Instead of forcing them to draw bodies that fit well into tights and making ornaments like capes appear practical, let them just focus on drawing people for a change. People that can represent a variety of ages, ethnicities, emotions, and personalities.
Perhaps it might be time to use the traditional superhero outfit as a divider between the readers of comics. If you are producing a comic aimed at young children or all-ages, then use the traditional Wonder Woman outfit. For stories aimed at an older audience give her something to wear that might be more respectable in the "real" world. There's no reason that a character can only wear one kind of costume at any one time, we change our looks every day.
Another point I'd like to make is about the current state of Wonder Woman in comics. For several years, her comics have tended to sell poorly. This is in spite of some memorable runs by creators that include: George Perez, Phil Jimenez, John Byrne, Greg Rucka, Gail Simone, and many more.
It seems like the only reason her series has not been permanently canceled is because of the legacy that she represents. She is one of the most iconic symbols of all time, but that hasn't translated into consistent sales.
I believe that the critics of the change in her look are sincere in their appreciation of her, but how many of them have been regular readers of the series with the old look? If the traditional Wonder Woman formula is so great, why isn't she a top 100 seller?
Time will tell if the new story direction reflects well, but for now I applaud the new look and hope that it is able to take hold.
Sunday, May 9, 2010
Bendis and Twitter
Today was another reason why it's really cool to live in Portland, Oregon.
I had some free time and I was glancing at my twitter page when I saw a series of tweets from Brian Michael Bendis that stated he was going to be riding around in his bike on this beautiful day and give away advance copies of New Avengers Finale, Dark Avengers # 16, and Siege #4.
The first tweet I saw said I had 10 minutes to get over to Things From Another World in the Hollywood district to catch Bendis at his first stop. The only problem was the post was already nine minutes old. So, I had to wait for an update about his next destination.
My patience was rewarded and he announced his first stop was a bust and he was heading over to Excalibur on Hawthorne. It seemed reasonable to assume I could beat him there in my car and so the race was on.
Sure enough after hanging out at Excalibur for a little bit, Bendis showed up to the relief of me and two other guys who were there for the same reason.
Bendis was a gentleman. He gave a set of 3 comics each that he autographed them on the spot with the provision that we buy something of equal value from the store so his generosity doesn't hurt their sales. He also snapped a picture of us with our booty. A handshake later and he was off.
Of course the picture was linked to his Twitter account and the story was promptly picked up by Rich Johnston (sorry Rich, but I'm not going to post the comics online).
It's understandable that Bendis would want to do something special the mark the release of these three comics. Six years ago, Bendis took over writing Avengers and has been guiding the title ever since through a succession of crossover events that have served to reshape the Marvel Universe. Now all the major plots from this run have been resolved and a new status quo is at hand with Bendis still at the helm.
I'll try not to give away too much about these issues. If you've followed any of the speculation around the teasers released by Marvel, you probably have a good idea about how this saga concludes. Siege #4 provides the climax to the Dark Reign saga. Dark Avengers #16 gives us the aftermath through the eyes of Harry Osbourne and his associates. New Avengers Finale features a confrontation with the Hood and sets up the Avengers relaunch with look back on the past half decade.
If you can get only one comic I'd go with New Avengers Finale because of the excellent art by Bryan Hitch and the extra large size, but all the books work together as a set.
Thank you Mr. Bendis, you made for a nice Sunday afternoon.
I had some free time and I was glancing at my twitter page when I saw a series of tweets from Brian Michael Bendis that stated he was going to be riding around in his bike on this beautiful day and give away advance copies of New Avengers Finale, Dark Avengers # 16, and Siege #4.
The first tweet I saw said I had 10 minutes to get over to Things From Another World in the Hollywood district to catch Bendis at his first stop. The only problem was the post was already nine minutes old. So, I had to wait for an update about his next destination.
My patience was rewarded and he announced his first stop was a bust and he was heading over to Excalibur on Hawthorne. It seemed reasonable to assume I could beat him there in my car and so the race was on.
Sure enough after hanging out at Excalibur for a little bit, Bendis showed up to the relief of me and two other guys who were there for the same reason.
Bendis was a gentleman. He gave a set of 3 comics each that he autographed them on the spot with the provision that we buy something of equal value from the store so his generosity doesn't hurt their sales. He also snapped a picture of us with our booty. A handshake later and he was off.
Of course the picture was linked to his Twitter account and the story was promptly picked up by Rich Johnston (sorry Rich, but I'm not going to post the comics online).
It's understandable that Bendis would want to do something special the mark the release of these three comics. Six years ago, Bendis took over writing Avengers and has been guiding the title ever since through a succession of crossover events that have served to reshape the Marvel Universe. Now all the major plots from this run have been resolved and a new status quo is at hand with Bendis still at the helm.
I'll try not to give away too much about these issues. If you've followed any of the speculation around the teasers released by Marvel, you probably have a good idea about how this saga concludes. Siege #4 provides the climax to the Dark Reign saga. Dark Avengers #16 gives us the aftermath through the eyes of Harry Osbourne and his associates. New Avengers Finale features a confrontation with the Hood and sets up the Avengers relaunch with look back on the past half decade.
If you can get only one comic I'd go with New Avengers Finale because of the excellent art by Bryan Hitch and the extra large size, but all the books work together as a set.
Thank you Mr. Bendis, you made for a nice Sunday afternoon.
Thursday, April 22, 2010
Seeing the Light
The first issue of The Light from Image Comics has sold out, so Newsarama has made it available for free online along with an interview with the creators, Nathan Edmondson and Brett Weldele.
It's a horror story about a deadly infection that is spread by electric lights with art that is very reminiscent of the work of Ben Templesmith.
While the story is set in Oregon, so far there isn't much to identify the with the Northwest beyond a mention of Portland, pine trees, and a very gloomy atmosphere.
It be interesting to see how they explore the region in future issues.
It's a horror story about a deadly infection that is spread by electric lights with art that is very reminiscent of the work of Ben Templesmith.
While the story is set in Oregon, so far there isn't much to identify the with the Northwest beyond a mention of Portland, pine trees, and a very gloomy atmosphere.
It be interesting to see how they explore the region in future issues.
Wednesday, April 21, 2010
Quick Reviews
The Guild #2
Some time ago a prominent comics blogger proposed the question about what non-scifi/fantasy television shows should be made into comic books. While it's still only a web series, Felicia Day demonstrates that her show is a natural for adaptation. The series continues to explore how the Knights of Good came together with the a focus on Codex's neurosis and her interactions on the MMORPG. The only drawback is that the book can't include the wonderful performances of Day and the rest of The Guild regulars.
The Spirit #1
Danny Colt gets a new series as part of the launch of DC's new First Wave group of books. Mark Schultz and Moritat create a much grittier Central City and have already introduced a new femme fatale to the Spirit's rogues gallery. It doesn't hurt that there's a black and white backup feature by legendary Denny O'Neil and Bill Sienkiewicz.
The series is much more promising than the new Doc Savage title, but it still remains to be seen if this is a series that will be worth keeping up with.
Justice League of America #44
One of the appeals for the old Teen Titans series was that they represented the next generation of the JLA. Wally West was the first of these ex-sidekicks to graduate to full League membership followed by Roy Harper several years later. James Robinson's writing stint has accelerated this trend with the inclusion of Dick Grayson, Donna Troy, and Vic Stone to the current lineup. In addition he's also explored adding characters with no previous association with the League such as the 70's Starman and Congorilla.
One consequence is that the new membership has created a more family-like team that resembles Marvel's X-Men.
This issue picks up as a Brightest Day tie-in and features many guest appearances that make this old fanboy smile.
Green Lantern #53
Another Brightest Day tie-in that sets up a new direction for the Green Lantern books that continues to incorporate the multi-colored corps into the new status quo. No complaints from me.
Some time ago a prominent comics blogger proposed the question about what non-scifi/fantasy television shows should be made into comic books. While it's still only a web series, Felicia Day demonstrates that her show is a natural for adaptation. The series continues to explore how the Knights of Good came together with the a focus on Codex's neurosis and her interactions on the MMORPG. The only drawback is that the book can't include the wonderful performances of Day and the rest of The Guild regulars.
The Spirit #1
Danny Colt gets a new series as part of the launch of DC's new First Wave group of books. Mark Schultz and Moritat create a much grittier Central City and have already introduced a new femme fatale to the Spirit's rogues gallery. It doesn't hurt that there's a black and white backup feature by legendary Denny O'Neil and Bill Sienkiewicz.
The series is much more promising than the new Doc Savage title, but it still remains to be seen if this is a series that will be worth keeping up with.
Justice League of America #44
One of the appeals for the old Teen Titans series was that they represented the next generation of the JLA. Wally West was the first of these ex-sidekicks to graduate to full League membership followed by Roy Harper several years later. James Robinson's writing stint has accelerated this trend with the inclusion of Dick Grayson, Donna Troy, and Vic Stone to the current lineup. In addition he's also explored adding characters with no previous association with the League such as the 70's Starman and Congorilla.
One consequence is that the new membership has created a more family-like team that resembles Marvel's X-Men.
This issue picks up as a Brightest Day tie-in and features many guest appearances that make this old fanboy smile.
Green Lantern #53
Another Brightest Day tie-in that sets up a new direction for the Green Lantern books that continues to incorporate the multi-colored corps into the new status quo. No complaints from me.
Wednesday, April 14, 2010
I still love you Roger!
It looks like Roger Ebert doesn't like Kick-Ass.
Since Dick Grayson teamed up with Bruce Wayne, the kid sidekick has been one of the most absurd elements in a genre filled with absurdity. For more than sixty years children dressed in colorful costumes have been depicted taking down hordes of evildoers with a minimum of bloodshed. I have enjoyed many of these tales, but I can still appreciate the irony of the concept taken to its extreme.
In addition, just because the movie features an 11-year old protagonist doesn't mean its intended for 11-year olds. My hope is that parents would exercise the same discretion about letting their kids view Kick-Ass as they would any other film with a high body count.
I still greatly admire Roger Ebert and he will remain my favorite movie critic. One of the great things about his reviews is that he shares the reasons why he likes or dislikes a film so clearly that the reader can almost anticipate if they will share Ebert's verdict.
In the case of Kick-Ass, Ebert sees little merit in the depiction of Hit-Girl while I do.
Shall I have feelings, or should I pretend to be cool? Will I seem hopelessly square if I find “Kick-Ass” morally reprehensible and will I appear to have missed the point? Let's say you're a big fan of the original comic book, and you think the move does it justice. You know what? You inhabit a world I am so very not interested in. A movie camera makes a record of whatever is placed in front of it, and in this case, it shows deadly carnage dished out by an 11-year-old girl, after which an adult man brutally hammers her to within an inch of her life. Blood everywhere. Now tell me all about the context.In my own review of Kick-Ass, I anticipated that some viewers my have problems with the depiction of Hit-Girl. While Kick-Ass isn't the deepest of movies, I feel that the movie effectively satirizes many super-hero cliches including the kid sidekick.
Since Dick Grayson teamed up with Bruce Wayne, the kid sidekick has been one of the most absurd elements in a genre filled with absurdity. For more than sixty years children dressed in colorful costumes have been depicted taking down hordes of evildoers with a minimum of bloodshed. I have enjoyed many of these tales, but I can still appreciate the irony of the concept taken to its extreme.
In addition, just because the movie features an 11-year old protagonist doesn't mean its intended for 11-year olds. My hope is that parents would exercise the same discretion about letting their kids view Kick-Ass as they would any other film with a high body count.
I still greatly admire Roger Ebert and he will remain my favorite movie critic. One of the great things about his reviews is that he shares the reasons why he likes or dislikes a film so clearly that the reader can almost anticipate if they will share Ebert's verdict.
In the case of Kick-Ass, Ebert sees little merit in the depiction of Hit-Girl while I do.
Quick Reviews
Flash #1, Brightest Day #0
With the recent resurrection of the Barry Allen Flash several other prominent characters, DC has created a new status quo in its books that hasn't existed since the mid-80s. Many characters that went through dramatic changes in appearance and attitude now resemble their pre-Crisis incarnations.
For this old DC fanboy, this looks like a good thing even if younger readers may not appreciate the nostalgia of the new crop of "Brightest Day" books. So far, the stories appear to be a promising refinement of the ensemble story arcs used in books such as "52" and "Countdown".
Doc Savage #1
I really wish I could be more excited about the return of this classic pulp hero, but so far the main feature starring the Man of Bronze and his "aides" fails to capture my interest.
However, the "Justice, Inc." backup feature does appear to be worth following. It has some great artwork by Scott Hampton and features another old pulp hero in a modern noir environment.
Irredeemable Special #1
Mark Waid uses this anthology issue to provide some backstory to his saga about a superhero gone bad. Highlights include an interesting take on the Batman as a family man and some excellent artwork form the prolific Howard Chaykin.
S.H.I.E.L.D.#1
This new series written by Jonathan Hickman provides an alternative take on Marvel's secret spy organization with twists that resemble the steampunk adventures found in Alan Moore's League of Extraordinary Gentlemen.
With works such as the Nightly News and his recent run on Fantastic Four, Hickman has shown that he is one of the most promising new talents to emerge in recent years and is destined for great things. It's too soon to tell, but the new S.H.I.E.L.D. may be one of them.
Black Widow #1
With her upcoming movie debut in Iron Man 2, Marvel has seen fit to give their favorite Russian super-spy her own series by Marjorie Liu and Daniel Acuna.
The inaugural issue sets up a nice mystery and does justice to one of the more interesting super-heroines. My hope is that they maintain a subtle touch when using integrating elements of the Marvel Universe into the book. An added bonus in the supplemental material explaining the Widow's complex history.
With the recent resurrection of the Barry Allen Flash several other prominent characters, DC has created a new status quo in its books that hasn't existed since the mid-80s. Many characters that went through dramatic changes in appearance and attitude now resemble their pre-Crisis incarnations.
For this old DC fanboy, this looks like a good thing even if younger readers may not appreciate the nostalgia of the new crop of "Brightest Day" books. So far, the stories appear to be a promising refinement of the ensemble story arcs used in books such as "52" and "Countdown".
Doc Savage #1
I really wish I could be more excited about the return of this classic pulp hero, but so far the main feature starring the Man of Bronze and his "aides" fails to capture my interest.
However, the "Justice, Inc." backup feature does appear to be worth following. It has some great artwork by Scott Hampton and features another old pulp hero in a modern noir environment.
Irredeemable Special #1
Mark Waid uses this anthology issue to provide some backstory to his saga about a superhero gone bad. Highlights include an interesting take on the Batman as a family man and some excellent artwork form the prolific Howard Chaykin.
S.H.I.E.L.D.#1
This new series written by Jonathan Hickman provides an alternative take on Marvel's secret spy organization with twists that resemble the steampunk adventures found in Alan Moore's League of Extraordinary Gentlemen.
With works such as the Nightly News and his recent run on Fantastic Four, Hickman has shown that he is one of the most promising new talents to emerge in recent years and is destined for great things. It's too soon to tell, but the new S.H.I.E.L.D. may be one of them.
Black Widow #1
With her upcoming movie debut in Iron Man 2, Marvel has seen fit to give their favorite Russian super-spy her own series by Marjorie Liu and Daniel Acuna.
The inaugural issue sets up a nice mystery and does justice to one of the more interesting super-heroines. My hope is that they maintain a subtle touch when using integrating elements of the Marvel Universe into the book. An added bonus in the supplemental material explaining the Widow's complex history.
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